Download this issue: Mise en Abyme, Vol. VII, Issue 1. January-June 2020

 

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MAKE A MOVE

Debating Independent and Non-Institutionalised Theatres in Europe

Edited by Armando Rotondi

ISBN: 979-12-80081-00-1

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TABLE OF CONTENTS

 

• Preface: How this work is structured                                                                                   Armando Rotondi

• Introduction: An overview of the definition of the theoretical-historical framework  of “non-institutionalised” or “independent” theatre                             Valentina Temussi

 

PART I – ESSAYS

 

• Mapping definitions of independent and non-institutionalised theatres         Daria Lavrennikov (Institute of the Arts Barcelona)

• A business model for non-institutionalised and independent theatre                      Armando Rotondi (Institute of the Arts Barcelona/Liverpool John Moores University)

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PART II – CASE STUDIES

 

• Spectacular ad hoc structures as a further step in the collective creation: The Make a Move project

         Eugen Păsăreanu (University of Arts Târgu-Mureș)

• Tappeto Volante and the site-specific as an event    

         Armando Rotondi (Institute of the Arts Barcelona/Liverpool John Moores University)

• Teatro de Los Sentidos  and the “theatre of experience”       

         Valentina Temussi (Institute of the Arts Barcelona/Liverpool John Moores University)

• Wild Theatre and the establishment of a non-institutionalised theatre company  in an emergency extra-EU context                                                                      

         Lyudmyla Honcharova (University of Visual and Performing Arts in Colombo)

• Rimini Protokoll and the use of digital                                                                   

         Freya Treutmann (Institute of the Arts Barcelona)

• Frantic Assembly versus Le Vieux Colombier theatre model                                      Valentina Temussi (Institute of the Arts Barcelona/Liverpool John Moores University)

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PART III – FOCUS

 

• How do European theatre creators take the audience into consideration?            Raluca Blaga (University of Arts Târgu-Mureș)

• An understanding of terminology and the need of a specific glossary                       Valentina Temussi (Institute of the Arts Barcelona/Liverpool John Moores University)

• Shaping devised theatre creation with keywords                                                                Traian Penciuc (University of Arts Târgu-Mureș)

 

PART IV – MAPPING

 

• A selection of  European theatre and performance festivals                                       Armando Rotondi (Institute of the Arts Barcelona/Liverpool John Moores University)

• A selection of market events for performing arts                                                                Armando Rotondi (Institute of the Arts Barcelona/Liverpool John Moores University)

• A selection of Europe-based companies/artists                                                                Valentina Temussi/Daria Lavrennikov (Institute of the Arts Barcelona/Liverpool John Moores University)

• A selection of Europe-based research and training centres in the field of non-institutionalised, independent, physical, and movement-based theatre                 Valentina Temussi (Institute of the Arts Barcelona/Liverpool John Moores University)

• A selection of Europe-based international networks, websites and cross-regional bodies (private and public) for performing arts funding               Armando Rotondi (Institute of the Arts Barcelona/Liverpool John Moores University)

• A selection of national European institutions involved in the promotion of culture, including performing arts, through support, advocacy, funding and grants information                                                                                                 Armando Rotondi (Institute of the Arts Barcelona/Liverpool John Moores University)

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